Empty Nester – Extraordinaire

creating, living, loving – all in a long black skirt

“As Elaborate As His Grief”

I found this article today while searching for documentation on the Victorian custom of cemetery picnics.  These statues are favorites of ours and we often leave flowers with them on our visits.

The Statues — Their Story

Children’s graves are the saddest in any cemetery, but especially on twilight days like these when cold keeps visitors away.

Maybe it is their small size, tombstones only half grown, or the small spans of their dates, speaking of life unlived.

Most often they are smaller and more simple than the markers around them, small and simple like those they remember.

But more than 100 years ago, when George Hilligoss’ only two children died within six years of each other, small and simple was not enough. He required a monument as elaborate as his grief.

That monument still stands today looking out of West Maplewood Cemetery in Anderson toward the traffic of Grand Avenue, two statues of white Italian marble on a shared pedestal. Life-sized replicas of Hilligoss’ children.

Charlie Ingersoll Hilligoss is portrayed as the 16-year-old he was when he died. He stands with his elbow leaning against a stone pillar and wears a suit, coat buttoned as if against the cold. He holds his hat in his hand.

His sister, 6-year-old Gertrude Pauline Hilligoss is seated close enough for him to touch with a book and a bundle of stone roses in her lap.  Water drips from the edge of her stone skirt.

The passage of 100 [years] has antiquated their clothing.  A hundred winters of snow and rain has worn the carving of their names and the message underneath: “We know that life is all the sweeter that they lived. And death is all the brighter that they died.”

But 100 [years] has yet to dull that universal pang, that grief for lost children. Maybe it is that, besides their lovely white faces among the anonymous tombstones and obelisks, that interests passersby.

Maybe that is why, though they are not known to have any living relatives, brightly colored bouquets of flowers appear in heir hands with each change of the seasons.

The late RE Hensley, once president of the Madison County Historical Society, was one person who found his curiosity piqued by the melancholy likenesses of the two children.

In 1975, while cataloging the names on the cemetery tombstones, he took it upon himself to find out who they were. What he uncovered fit on one side of a typed sheet of paper.

George Hilligoss, Charlie and Gertrude’s father, was a doctor who practiced in the Madison County are for 30 years, for some time owning an office on Anderson’s Main Street. An Indiana native, he was one of the county’s original settlers and a veteran of the Civil War before becoming a prominent Anderson resident.

He and his Prussia-born wife Caroline had a son, Charlie, in 1871, and a daughter, Gertrude, in 1875. An article published much later in an 1892 edition of the Anderson Democrat, detailing the arrival of the children’s monuments from Italy, call the two the pride of their parents. “The children were exceptionally precocious and possessed mental strength that was far beyond their years,” it said.

Gertrude died first in 1881, then Charlie in 1887. Their causes of death are unknown.

“I think the children had died of some kind of disease,” says Donna Nicely, a secretary at the Maplewood Cemetery office, but no one knows for sure. Cemetery records which would have held that information were lost in a fire more than 50 years ago.

Whatever the causes of their deathes, it can be assumed they were blows to the two parents, suddenly childless.  In his short account, Hensley writes, “It has been said that the deaths of Charles and Gertrude weighed very heavily on both Dr. and Mrs. Hilligoss and that she could never reconcile herself to the fact that they were dead.”

Hensley goes on to say that George Hilligoss was the first president of Camp Chesterfield, the spiritualist camp founded in 1886, a year that falls between the deaths of Gertrude and Charlie.

Whether or not the loss of his children stirred his interest in a spirit world can only be guessed. Probably no one know sif a bereaved George and Caroline tried to reach their children beyond the grave.

What is known is that they were desperate to have their children remembered on earth. The Anderson Democrat article says that the couple conceived the idea of having the statues made shortly after the deaths. They found a sculptor in Florence, Italy, and sent him two life-size photographs of Charlie and Gertrude to work from.

It took three or four years for the work to be completed. For several months, the Italian sculptor refused to finish the statues, in protest of a highly publicized incident in New Orleans in which some Italians were lynched.  But friends intervened and he did eventually ship the completed works, in 1892, to Indianapolis.

More than a century later, local history buffs have not been the only ones to be curious about the cemetery monuments.  “Every once in a while we get calls on the Hilligoss children,” says Phyllis Leedon, a librarian at the public library in Anderson. “As far as I know, there’s no family.”

Nicely says the cemetery office also receives calls periodically from people curious about the identities of the two children. She has felt a twinge of it herself, driving by them everyday on her way to work.

“Oh, I think they’re beautiful,” she says. “For many years, they’ve had some kind of significance.”

Especially to children, it seems. Nicely has heard the spook stories some tell about the two statues changing positions. Sometimes, it is said, Charlie’s hand rests on Gertrude’s shoulder, sometimes at his side.

There is something strange about their ghostly forms, luminous in the long shadows of ware winter trees, and something sad about the melting snow lying on Gertrude’s lap, on Charlie’s shoulders. Only the latest in a century of snows.

“But fate had ordained that they should live only in memory,” the newspaper article says. The statues demand at least that much, causing strangers to pause and pity, to wonder about the two lost children just as their father must have after they were gone.

Perhaps it would please him, even though, he is gone now too, buried next to them.

–Steffen, Colleen. “The Statues — Their Story.” Anderson Herald Bulletin 31 Dec. 1996: A1+. Print.

The Indiana Memory Collection website states, “An iron fence once surrounded them, but it was taken during WWII for scrap metal.”

Don’t we all hope to be loved so much?  And if we do love someone else so much, shouldn’t we tell them?

Now, back to my regularly scheduled research.

~sheila

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This entry was posted on Saturday, April 10th, 2010 at 10:11 pm and is filed under Media. You can follow any responses to this entry through the RSS 2.0 feed. You can leave a response, or trackback from your own site.

5 Responses to ““As Elaborate As His Grief””

  1. Kim
    10:54 pm on April 10th, 2010

    Very interesting. I am curious if anyone at the camp has more information. I will be asking and I will be looking through the 100 years book tomorrow while at work to see if he or his children are mentioned. I’ll let you know.

  2. J.B. Vadeboncoeur
    12:31 am on April 11th, 2010

    Yes we all deserve to be loved so much and to love so much. Beautiful. I love portraits and the human form and the preciousness of children.

  3. Mary
    5:56 pm on April 11th, 2010

    What a moving article! And the monuments are both heartbreaking and beautiful. Thanks for sharing.

  4. Teresa
    1:14 pm on May 14th, 2018

    The pictures have gone. I cannot see them. I so wanted to.

  5. Bats! meow...
    6:14 am on August 1st, 2018

    Woops! I’ve been moving some things around on the hosting site and it looks like I grabbed some pictures I shouldn’t have. I’ll get this fixed.

    ~sds

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